This work mimics the display of traditional Chinese window forms in the Yingge Museums permanent collection. However, the newly constructed window has protruding sculptural elements derived from the original form. The concept is meant to illicit alternative ideas about recognizable, or even iconic, cultural staples. My aim is to engage my audience in questioning their perceptions of heritage, place, and culture. This work is meant to function as a metaphor for the surreal nature of being a foreigner. The artwork was installed in a similar manner to that of the museums permanent display, that is, set inside a wall that can be viewed from either side.